As majestic bells of bolts struck shadows in the sounds

I am honored to have been selected along with 99 other sound artists worldwide to participate in the Cities and Memory project:

A CENTURY OF SOUNDS


ETHNOGRAPHIC RECORDINGS FROM THE PITT RIVERS MUSEUM’S COLLECTIONS

A Century of Sounds is a partnership between Cities and Memory and the Pitt Rivers Museum, inviting listeners to explore a century of incredible recordings from the museum’s collections in brand new ways.

One hundred recordings from all over the world, dating back as early as wax cylinder recordings from 1914, have been curated to showcase the amazing breadth of the museum’s sound collections, as well as to provide fascinating, exclusive material for artists to work with.

Many of these recordings have never been publicly available to listen to before – and they are some of the most extraordinary sounds a Cities and Memory project has ever included. Artists were invited to choose a recording that speaks to them, and create a composition based on their response to that sound, and to the resonances of history, culture, society and emotion that come from it.

The Century of Sounds collection will not only offer a unique window into global cultures past and present with rarely-heard recordings, but a new way of experiencing these sounds through the composition, sound design, music and imagination of our community of artists.


A partnership with Cities And Memory, Pitt Rivers Museum and Oxford University.

The Ghosts Of Lifta

I have a new track on a compilation raising money for the children of Gaza.

The compilation is here-> ECHOES FOR PALESTINE (volume 1)

Echoes for Palestine is a labor of love and solidarity, a charitable project brought to life by Rafael Diogo (Deep Dive Sound) in collaboration with Cities and Memory, with every penny of proceeds flowing directly to Hope and Play, supporting the children of Gaza.

From over a hundred submissions of original, sound-based compositions from artists around the world, we have woven together 25 tracks for Volume 1.

This collection unfolds like a journey through diverse sonic landscapes — experimental electronic pulses, drifting ambient textures, intricate electroacoustic designs, intimate spoken word, and evocative narrative soundscapes. Each piece hums with the spirit of resistance, whispers resilience, carries memory, and offers hope, preserving the cultural heartbeat of Palestine.

This compilation is more than music. It is testimony, imagination, and a bridge across distance and time — a tribute to Palestinian lives, voices, and dreams, and a celebration of the profound, transformative power of sound. By listening to and purchasing the album, you help bring hope, joy, and support to the children of Gaza.

ABOUT THE TRACK

Lifta is a historic Palestinian village located near Jerusalem, notable for being the only Arab village evacuated during the 1948 Arab-Israeli war that has not been destroyed or repopulated. It stands as a poignant symbol of the Nakba (the 1948 Palestinian exodus) and a physical reminder of the displacement and loss experienced by Palestinians. The village, with its well-preserved stone buildings, agricultural terraces, and spring, is also recognized for its unique cultural and historical value and is currently under consideration for UNESCO World Heritage status.

This piece uses elements of field recordings taken by Anders Vinjar (Mount of Olives / Ramallah Market / Ruins of Lifta), topped with a semi-composed / semi-improvised acoustic guitar line plus added synth washes.

The Ghosts of Lifta was inspired by these field recordings and current photographs of the overgrown, deserted village.

Further reading: We will return: the battle to save an ancient Palestinian village from demolition

https://www.theguardian.com/world/2021/jul/28/we-will-return-the-battle-to-save-an-ancient-palestinian-village-from-demolition